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  • 3.00 Credits

    Builds on previously acquired fundamental methods and techniques for making wheel-thrown pottery. Emphasis is placed on the further development of individual student skills, while executing a variety of more challenging pottery vessel forms. Students will further develop skills in glaze and slip application; post wheel-thrown vessel manipulation and sculpting; explore methods in combining wheel-thrown and hand-built pottery vessel elements.
  • 3.00 Credits

    Explores various hand-building and tile making methods. The hand-building component will investigate slab, coil, additive, and subtractive construction methods for creating a variety of vessels forms. The tile making component will investigate various low-relief tile making methods, tile mold making and production processes, including but not limited to, stamp and press mold casting and production techniques.
  • 3.00 Credits

    Builds on various hand-building and tile making methods. Investigate intermediate level slab, drape mold, slump mold, additive, and subtractive construction methods for creating a variety of vessels forms. The tile making component will investigate various middle and sunken relief tile making methods, tile mold making and production processes, including but not limited to, stamp and press mold casting and production techniques.
  • 3.00 Credits

    Explores traditional ceramic glazes from around the world. Students will learn how they are developed and fired. Additionally, students will learn how to create their own glazes by experimenting with glass formers, glass modifiers, fluxes, and colorants, using a variety of clay test tiles, considering atmosphere and temperature effects. Students will gain the knowledge and ability to independently create and work successfully with ceramic glaze applications for multiple effects and circumstances.
  • 3.00 Credits

    Refines perceptual strategies, and develop greater sensitivity to the use of drawing materials. Students explore varied conceptual and historical frameworks as they develop personal imagery. They will use varied drawing materials including color drawing media, and create large-scale works. Studio sessions include drawing, individual and group critique, demonstrations, and lecture.
  • 3.00 Credits

    Refines understanding and application of the methods, materials, and concepts associated with drawing the human form. Students will develop an independent body of work that incorporates the human form as a vehicle for personal expression. They will research relevant historical and contemporary figurative concerns. Students will enhance their understanding of anatomy and draw from live models. Studio sessions include drawing, individual and group critique, demonstration, and lecture.
  • 3.00 Credits

    Engage in and explore fabric dye methods and design techniques on a variety of 100% natural fabrics. Course content includes, but is not limited to: Serti silk painting; Japanese Shibori; color removal; sustainable resist techniques; direct application; Deconstructed Screen and photo silk screen printing using fiber reactive dyes. Studio sessions include extended interaction with dye materials and methods, group and individual critiques, demonstrations and lecture.
  • 3.00 Credits

    Engage in and explore fabric surface design methods and techniques on natural and synthetic fabrics. Course content includes but, is not limited to: direct application; mono-print; handmade fabric stamps; complex masking; manual, photo and multicolor silkscreen printing processes using textile printing inks; and computer aided repeat pattern design and digital/inkjet printing of fabric. Studio sessions include extended interaction with surface design materials and methods, group and individual critiques, demonstrations and lectures.?
  • 3.00 Credits

    Engage in and explore natural dye methods and fiber art techniques on 100% natural fabrics and fibers. Course content includes but is not limited to: Botanical/Eco Printing; foraging and collecting for natural dye; Indigo dying with Japanese shaped resist methods; sustainable natural dye and printing techniques; and two- and three-dimensional papermaking with natural fibers. Studio sessions include extended interaction with natural dye and fiber materials and methods, group and individual critiques, demonstrations and lectures.
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