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  • 3.00 Credits

    Builds on the skills and concepts covered in Sculpture I, this course further develops sculptural concepts, materials, and processes. Emphasis will be given to the social, cultural, and aesthetic context of the work. Writing, research, class discussion, and critique are integral to the course.
  • 3.00 Credits

    Engages in sculpture fabrication methods using wood, and metal. The students learn varied construction techniques using the wood-working equipment and metal-working equipment. Class assignments address contemporary concepts and foster personal expression. Students learn safe practices in the studio. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique and lecture.
  • 3.00 Credits

    Engage in figurative sculpture and connect with the history of figurative sculpture. Techniques include but are not limited to, modeling, additive fabrication, mold-making, and casting. Students will research how they can use the figure to relay conceptual ideas. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique and lecture.
  • 3.00 Credits

    Explores the use of alternative materials, in creating sculptural objects and safe studio practices. The class will include but is not limited to, carving techniques, various ways of fastening materials, the incorporation of found objects, nontraditional materials, mold-making, site-specificity, and installation. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique and lecture.
  • 3.00 Credits

    Explore the use of new techniques and technologies in the production of three-dimensional objects, by investigating the intersection of digital media, sculpture, and design. Includes but is not limited to, the use of 3D printing, laser cutting, sound, and video projection incorporated into physical environments. Studio sessions include technical instruction, studio work time, and development of concepts through research, class discussion, group critique, and lecture.
  • 3.00 Credits

    Explores sculptural methods using clay and Plaster as a primary medium. Students will develop sculpting skills using additive and subtractive modeling techniques. Students will develop preliminary sketches and maquettes for each sculpture project. Studio class time includes technical instruction, concept development and lecture, making assigned sculpture projects, group discussion, concept development, in-progress and finished-work critiques. Research for the individual projects is essential for success.
  • 3.00 Credits

    Explore 3D design and assemblage methods for creating sculptural objects using composite "home building" supplies and related materials. Construction materials may include, but are not limited to, plywood, milled lumber products, concrete, conduit, PVC Pipe, sheet metal and assorted hardware. Students learn a wide variety of construction techniques while repurposing nontraditional materials into figurative and non-figurative sculptural forms. Studio class time includes instruction and demonstrations, sculpture development, group and individual critiques, and 3D concept-building skills.
  • 3.00 Credits

    Explores and examines a variety of 2-D and 3-D crafts ideas from around the world. Projects will span ancient history through contemporary time. Students will be required to work with a variety of materials and equipment. Students will learn how the applied arts fit within the concept of and relate to fine art.
  • 3.00 Credits

    Explores the functions of art-making within world cultures. Students create art using Western and non-Western techniques and philosophies. By studying integrated global art traditions, the student can see the similarities that connect cultures as well as their differences.
  • 3.00 Credits

    Introduces various traditional and modern forms and approaches to bookbinding and the book as an art form. Fundamental materials, processes, and concepts involved in making books by hand are explored. The relationship between content and structure is investigated and experimentation with the book as a form of creative and conceptual expression is emphasized. Content development, book design, integration of various media, narrative and sequencing, and the functionality of various bookmaking materials is covered.
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